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Author: Michael J. Meyer Publisher: Rodopi ISBN: 9789042011915 Category : Literature, Modern Languages : en Pages : 244
Book Description
This collection of essays centers on musical elements that authors have employed in their work, thus joining heard sounds to a visual perception of their stories. The spectrum of authors represented is a wide one, from Pound to Durrell, from Steinbeck to Cather, from Beckett to Gaines, but even more unusual is the variety of musical type represented. Classical music (the quartet, the fugue, the symphony), Jazz (the jazz riff and jazz improv) and the spiritual all appear along with folk song and so-called random "noise." Such diversity suggests that there are few limits when readers consider how great writers utilize musical styles and techniques. Indeed, each author seems to realize that it is not the type of music that s/he chooses to employ that is important. Rather, it is the realization that such musical elements as harmony, dissonance, tonal repetition and beat are just as important in prose composition as they are in poetry and song. The essayists have selected some works that may be considered obscure and some that are modern classics. Each one, however, has captured one of the varied ways in which words and music complement and enhance each other.
Author: Michael J. Meyer Publisher: Rodopi ISBN: 9789042011915 Category : Literature, Modern Languages : en Pages : 244
Book Description
This collection of essays centers on musical elements that authors have employed in their work, thus joining heard sounds to a visual perception of their stories. The spectrum of authors represented is a wide one, from Pound to Durrell, from Steinbeck to Cather, from Beckett to Gaines, but even more unusual is the variety of musical type represented. Classical music (the quartet, the fugue, the symphony), Jazz (the jazz riff and jazz improv) and the spiritual all appear along with folk song and so-called random "noise." Such diversity suggests that there are few limits when readers consider how great writers utilize musical styles and techniques. Indeed, each author seems to realize that it is not the type of music that s/he chooses to employ that is important. Rather, it is the realization that such musical elements as harmony, dissonance, tonal repetition and beat are just as important in prose composition as they are in poetry and song. The essayists have selected some works that may be considered obscure and some that are modern classics. Each one, however, has captured one of the varied ways in which words and music complement and enhance each other.
Author: Steven Paul Scher Publisher: Rodopi ISBN: 9789042017528 Category : Music Languages : en Pages : 552
Book Description
The present volume meets a frequently expressed demand as it is the first collection of all the relevant essays and articles which Steven Paul Scher has written on Literature and Music over a period of almost forty years in the field of Word and Music Studies. Scher, The Daniel Webster Professor of German and Comparative Literature at Dartmouth College, Hanover, NH, USA, is one of the founding fathers of Word and Music Studies and a leading authority in what is in the meantime a well-established intermedial field. He has published very widely in a variety of journals and collections of essays, which until now have not always been easy to lay one's hands on. His work covers a wide range of subjects and comprises theoretical, methodological and historical studies, which include discussions of Ferruccio Busoni, Thomas Mann, Bertolt Brecht, Judith Weir, the Talking Heads and many others and which pay special attention to E. T. A. Hoffmann and German Romanticism. The range and depth of these studies have made him the 'mastermind' of Word and Music Studies who has defined the basic aims and objectives of the discipline. This volume is of interest to literary scholars and musicologists as well as comparatists and all those concerned about the rapidly expanding field of Intermedia Studies.
Author: Delia da Sousa Correa Publisher: Edinburgh University Press ISBN: 0748693130 Category : Literary Criticism Languages : en Pages : 720
Book Description
Provides a pioneering interdisciplinary overview of the literature and music of nine centuriesOffers research essays by literary specialists and musicologists that provides access to the best current interdisciplinary scholarship on connections between literature and musicIncludes five historical sections from the Middle Ages to the present, with editorial introductions to enhance understanding of relationships between literature and music in each periodCharts and extends work in this expanding interdisciplinary field to provide an essential resource for researchers with an interest in literature and other mediaBringing together seventy-one newly commissioned original chapters by literary specialists and musicologists, this book presents the most recent interdisciplinary research into literature and music. In five parts, the chapters cover the Middle Ages to the present. The volume introduction and methodology chapters define key concepts for investigating the interdependence of these two art forms and a concluding chapter looks to the future of this interdisciplinary field. An editorial introduction to each historical part explains the main features of the relationships between literature and music in the period and outlines recent developments in scholarship. Contributions represent a multiplicity of approaches: theoretical, contextual and close reading. Case studies reach beyond literature and music to engage with related fields including philosophy, history of science, theatre, broadcast media and popular culture.This trailblazing companion charts and extends the work in this expanding interdisciplinary field and is an essential resource for researchers with an interest in literature and other media.
Author: Publisher: BRILL ISBN: 9004314865 Category : Literary Criticism Languages : en Pages : 265
Book Description
This volume focusses on the rarely discussed reverse side of traditional, ‘given’ objects of studies, namely absence rather than presence (of text) and silence rather than sound. It does so from an interdisciplinary perspective and covers systematic as well as historical perspectives from the baroque age to the present.
Author: Joseph Cummins Publisher: Anthem Press ISBN: 1785270923 Category : Literary Criticism Languages : en Pages : 202
Book Description
‘Imagined Sound’ is a unique cartography of the artistic, historical and political forces that have informed the post-World War II representation of Australian landscapes. It is the first book to formulate the unique methodology of ‘imagined sound’, a new way to read and listen to literature and music that moves beyond the dominance of the visual, the colonial mode of knowing, controlling and imagining Australian space. Emphasising sound and listening, this approach draws out and re-examines the key narratives that shape and are shaped by Australian landscapes and histories, stories of first contact, frontier violence, the explorer journey, the convict experience, non-Indigenous belonging, Pacific identity and contemporary Indigenous Dreaming. ‘Imagined Sound’ offers a compelling analysis of how these narratives are reharmonised in key works of literature and music.
Author: Publisher: BRILL ISBN: 9004516476 Category : Literary Criticism Languages : en Pages : 261
Book Description
‘Retro’ is not only a pervading phenomenon in today’s Western culture but has informed cultural history for some centuries and thus gives momentousness to the subject of the present volume, namely literary texts and musical compositions which, for various reasons and with multiple functions, ‘make it old’.
Author: Walter Bernhart Publisher: BRILL ISBN: 9004302743 Category : Literary Criticism Languages : en Pages : 515
Book Description
This volume is dedicated to the musico-literary oeuvre of Walter Bernhart, professor of English literature at Karl-Franzens-Universität Graz/Austria and pioneer in the field of intermedial relations between literature and other arts and media. The volume is of relevance to literary scholars and musicologists but also to all those with an interest in intermediality studies in general and in the relations between literature and music in particular.
Author: Calvin S. Brown Publisher: Read Books Ltd ISBN: 1447490002 Category : Music Languages : en Pages : 292
Book Description
Calvin S. Brown wrote Music and Literature - A Comparison of the Arts with the hope that it might open up a field of thought which has not yet been systematically explored as there had been no survey of the entire field. This book attempts to supply such a survey.
Author: Robert Fraser Publisher: Springer ISBN: 3319684809 Category : Literary Criticism Languages : en Pages : 211
Book Description
This book focuses on the twin arts of literature and music, supporting the notion that cosmopolitanism is the natural condition of all the arts, and that all culture - without exception - is migrant culture. It draws on examples ranging from the first to the twenty-first centuries AD, on locations as remote as Alexandria and Australia, on writers as different as Virgil and V.S.Naipaul, Arnold and Achebe, and on musicians as diverse as Bach and Bartok, Purcell and Steve Reich. Across thirteen chapters, the study explores the interpenetration of all forms of human expression, the fallacy of 'national' traditions and limiting conceptions of regional character. The result is an exploration of artistic and intellectual endeavour that is particularly welcome in the current political climate, encouraging us to view history in ways informed by our contemporary demographic and cultural concerns. Taken either as a series of interrelated case studies, or else as an evolving and sequential argument, this book is vital reading for scholars of music, literature, and cultural and social history.
Author: Michael J. Meyer
Author: Michael J. Meyer
Author: Steven Paul Scher
Author: Delia da Sousa Correa
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Author: Joseph Cummins
Author: 
Author: Walter Bernhart
Author: Calvin S. Brown
Author: Robert Fraser
Author: James E. Matthew